Brown coal 10.1 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into overcast sky; natural gas 7.7 GW occupies the centre-left as several compact CCGT power blocks with tall single exhaust stacks venting translucent heat shimmer; wind onshore 7.4 GW fills the centre-right as a long row of three-blade turbines on lattice towers across gently rolling hills, blades turning slowly in light wind; solar 9.0 GW appears in the right quarter as extensive fields of aluminium-framed crystalline silicon panels on an open plain, their surfaces reflecting only flat grey light with no direct sun; hard coal 3.9 GW is rendered as a coal-fired station with a single large stack and conveyor belt in the mid-left background; wind offshore 2.1 GW appears as distant turbines on the far-right horizon line suggesting the sea; biomass 4.1 GW is a modest industrial facility with a rounded silo and low exhaust in the centre background; hydro 0.8 GW is a small weir with flowing water in the lower-right foreground. Morning light at 08:00 in late September: diffuse, cool daylight filtering through 85% heavy cloud cover, no direct sunshine, the sky a uniform pewter-grey pressing down oppressively — suggesting the high electricity price through atmospheric weight. Temperature 8.7°C: early autumn landscape with yellowing birch and beech leaves, dew on grass, breath-visible cold air near the ground. The vegetation is turning golden-brown, fields harvested. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich earthy and grey tones, visible impasto brushwork, atmospheric perspective with haze and depth, meticulous engineering detail on every turbine nacelle, every cooling tower rib, every PV panel frame. The mood is sombre, industrious, weighty. No text, no labels.