Solar 43.7 GW dominates the centre and right two-thirds of the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across gently rolling late-September farmland with yellowing stubble and fading green hedgerows. Brown coal 8.4 GW occupies the left background as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes, beside conveyor belts and open-pit terraces. Natural gas 5.1 GW appears as a compact CCGT power station with twin exhaust stacks and a thin heat shimmer, positioned centre-left. Hard coal 3.5 GW is rendered as a smaller coal-fired station with a single tall chimney trailing grey smoke, set behind the gas plant. Biomass 3.8 GW appears as a wood-clad biomass plant with a modest stack and stacked timber rounds nearby, tucked to the far left. Wind onshore 1.9 GW shows as a small group of three-blade turbines on a distant ridge, blades barely turning. Wind offshore 1.2 GW is suggested by a faint line of offshore turbines on a hazy horizon line far right. Hydro 0.9 GW is a small run-of-river weir with white water visible in the middle ground near a stream. The sky is fully overcast with a thick, uniform, heavy, oppressive blanket of pale-grey stratus clouds — midday light is bright but entirely diffuse, casting soft shadowless illumination across everything, conveying a warm but stifling atmosphere consistent with 20.5°C and a high electricity price. Vegetation is transitional early autumn — some leaves turning amber, grass still green but drying. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich muted earth tones, visible confident brushwork, deep atmospheric perspective, dramatic industrial sublime — but with meticulous engineering accuracy on every turbine nacelle, panel frame, cooling tower contour, and exhaust stack. No text, no labels.