Brown coal 10.3 GW dominates the left third of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white-grey steam plumes rising into a pitch-black, fully overcast sky; natural gas 7.0 GW occupies the centre-left as two modern CCGT plants with slim exhaust stacks and faint orange combustion glow visible through vents; wind onshore 7.6 GW spans the centre-right as a long row of tall three-blade turbines on lattice towers, their red aviation warning lights blinking in the darkness, rotors barely turning in the near-calm air; wind offshore 1.8 GW is suggested in the far background as a faint line of red warning lights on the distant horizon; hard coal 3.7 GW appears as a traditional coal-fired plant to the right of the lignite complex with a single large smokestack and conveyor belt structures lit by sodium floodlights; biomass 3.8 GW is rendered as a cluster of industrial biogas facilities with cylindrical digesters and small chimneys emitting thin vapour, positioned in the right foreground; hydro 0.9 GW appears as a small dam structure at the far right edge with water gleaming under artificial light. The sky is completely black and heavy, no stars visible through 100% cloud cover, creating an oppressive ceiling that presses down on the industrial landscape, reflecting the high electricity price. Sodium-orange streetlights line a road in the foreground, casting pools of amber light on wet late-September grass and browning vegetation. The overall atmosphere is heavy, humid, industrial. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro, deep atmospheric depth — but with meticulous engineering accuracy on every turbine nacelle, cooling tower curve, and exhaust stack. No text, no labels.