Wind onshore 14.6 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling autumn hills, their red aviation lights blinking in the darkness; wind offshore 3.3 GW appears as a distant cluster of larger turbines on the far-right horizon above a sliver of dark sea. Brown coal 10.5 GW occupies the left quarter as a massive lignite power station complex with four hyperbolic cooling towers emitting thick pale steam plumes lit from below by sodium-orange industrial floodlights. Natural gas 5.0 GW fills the centre-left as two compact CCGT units with tall single exhaust stacks venting thin white plumes, surrounded by lit pipe racks. Hard coal 3.9 GW appears just right of centre as a conventional power station with a single large smokestack and coal conveyors under harsh white spotlights. Biomass 3.9 GW is rendered as a medium-sized wood-chip-fired plant with a cylindrical silo and modest chimney, warmly lit, positioned between the coal plant and the wind turbines. Hydro 0.8 GW appears as a small run-of-river station with a weir, barely visible in the middle distance. The sky is completely black and starless under total overcast at 02:00 in early October—no twilight, no moon, no sky glow—only artificial light sources illuminate the scene. The atmosphere is heavy and oppressive, hinting at the high electricity price: low clouds press down, trapping the orange and white industrial light into a lurid haze. Autumn vegetation—browning grasses and bare-branching trees—lines the foreground, temperature around 13°C suggesting damp mist curling at ground level. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich impasto brushwork, dramatic chiaroscuro between deep shadow and industrial glow, meticulous engineering accuracy on turbine nacelles, cooling tower geometries, and CCGT exhaust assemblies. No text, no labels.