Brown coal 11.2 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white-grey steam plumes that merge into the overcast sky; natural gas 7.8 GW occupies the center-left as two modern combined-cycle gas turbine blocks with slender exhaust stacks releasing thin heat shimmer; wind onshore 11.5 GW fills the right third and extends into the background as dozens of three-blade turbines on lattice and tubular towers across rolling autumnal hills, their rotors turning very slowly in the faint breeze; wind offshore 3.0 GW appears as a distant cluster of larger turbines visible on a grey horizon line suggesting the North Sea; solar 6.5 GW is represented by several fields of aluminium-framed crystalline silicon panels in the mid-ground, their surfaces reflecting only flat grey light, no sun visible; biomass 4.3 GW appears as a mid-sized industrial plant with a timber-yard and a single smokestack producing pale smoke, positioned between the gas plant and the wind turbines; hard coal 3.8 GW is rendered as a compact coal-fired station with a single large stack and coal conveyor belt on the far left behind the lignite plant; hydro 0.8 GW is a small run-of-river weir with a low concrete dam barely visible along a river in the foreground valley. The time is 8:00 AM on an October morning: full daylight but completely diffuse under a 100% solid overcast ceiling of low stratus clouds in oppressive tones of pewter and slate grey, no direct sunlight whatsoever, no shadows on the ground. The atmosphere feels heavy and pressing, reflecting the 233 EUR/MWh price tension. Temperature is 11.7°C: autumn vegetation with muted amber, rust, and fading green on deciduous trees, some bare branches, damp fields. Light wind barely stirs the grass. A river winds through the valley foreground reflecting the grey sky. High-voltage transmission pylons with bundled conductors march across the mid-ground, symbolizing the import flows. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's atmospheric depth merged with Adolph Menzel's industrial precision — rich impasto brushwork visible in the clouds and steam, meticulous engineering accuracy in every turbine nacelle, every cooling tower's parabolic curve, every PV panel frame. Deep atmospheric perspective with layers of haze. No text, no labels, no human figures.