Brown coal 9.1 GW dominates the left third of the scene as a massive lignite complex with four hyperbolic cooling towers emitting thick white-grey steam plumes; solar 12.9 GW occupies the centre-left as vast fields of aluminium-framed crystalline silicon PV panels stretching across flat farmland, their surfaces dull and unreflective under heavy overcast; natural gas 5.9 GW appears centre-right as two compact CCGT plants with tall single exhaust stacks venting thin heat shimmer; wind onshore 4.6 GW is rendered as a line of modern three-blade turbines on gentle hills in the right-centre, rotors barely turning in the light breeze; hard coal 3.0 GW sits in the right background as a traditional coal plant with rectangular stacks and conveyor belts; biomass 3.9 GW appears as a mid-ground wood-chip facility with a modest smokestack and stacked timber; wind offshore 2.2 GW is glimpsed as tiny turbines on a distant grey sea horizon at far right; hydro 0.9 GW is a small dam spillway nestled in a forested valley at the far edge. The sky is entirely overcast at 16:00 on October 1st — flat, oppressive, unbroken iron-grey cloud ceiling with no direct sunlight, casting diffuse pale-grey daylight across the landscape. Temperature is a mild 19°C; trees show early autumn colour — yellowing birches, some green oaks, dry grasses. The atmosphere feels heavy and brooding, reflecting the high electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, atmospheric depth and haze between foreground industrial structures and distant horizon, muted earth tones of ochre, slate, umber, and pewter, dramatic compositional tension between nature and industry. Meticulous engineering accuracy on every turbine nacelle, cooling tower, PV module frame, and exhaust stack. No text, no labels.