Brown coal 9.0 GW dominates the left half of the scene as a massive lignite power station complex with four hyperbolic cooling towers emitting thick white steam plumes; biomass 4.0 GW appears center-left as a cluster of industrial wood-chip combustion plants with tall chimneys and modest smoke; natural gas 2.2 GW occupies the center as two compact CCGT units with slender single exhaust stacks venting heat shimmer; hard coal 1.7 GW sits center-right as a smaller coal plant with a conveyor belt and single squat cooling tower; solar 1.5 GW appears as a modest field of aluminium-framed crystalline silicon panels reflecting only dull grey light, no sunshine; wind onshore 0.6 GW and wind offshore 0.9 GW appear at the far right as a small group of three-blade turbines on lattice towers, their blades barely turning in the still air; hydro 0.9 GW is visible as a concrete dam with a thin cascade in the far background. The sky is an October dusk at 18:00 — a narrow band of orange-red glow clinging to the lower horizon, the sky above darkening rapidly to deep slate-grey and charcoal under 86% heavy overcast clouds that press down oppressively. The atmosphere feels thick and weighted, conveying the tension of 224 EUR/MWh pricing. Mild autumn — green-tinged deciduous trees just beginning to show amber leaf edges, grass still green, temperature around 17°C. High-voltage transmission pylons recede into the hazy distance, symbolizing import flows. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's brooding atmosphere meets industrial realism — rich impasto brushwork, atmospheric perspective with coal haze, deep saturated earth tones and somber sky colors, meticulous engineering detail on every turbine nacelle, cooling tower flute, and panel frame. No text, no labels.