Solar 31.6 GW dominates the right half and centre of the scene as vast expanses of aluminium-framed crystalline silicon PV panels stretching across flat autumn farmland, their glass surfaces reflecting the uniform white-grey overcast sky, no direct sunlight, only soft diffuse illumination. Brown coal 9.7 GW occupies the left foreground as a massive lignite power station with four hyperbolic concrete cooling towers emitting thick pale steam plumes that merge into the low cloud ceiling. Natural gas 7.1 GW appears as two compact CCGT blocks with tall slender exhaust stacks and smaller cylindrical heat recovery units positioned behind the coal plant, their exhaust rising vertically in the still air. Wind onshore 5.8 GW is rendered as a scattered line of three-blade turbines with white tubular towers on rolling hills in the mid-distance left of centre, rotors turning very slowly in the light wind. Wind offshore 5.4 GW is suggested by a cluster of larger turbines visible on a grey horizon line far in the background, their bases lost in haze. Hard coal 4.5 GW is a smaller conventional plant with a single tall red-and-white striped chimney and a rectangular boiler house, placed between the lignite station and the gas units. Biomass 4.2 GW appears as a modest wood-fired plant with a conical chip silo and a low stack trailing thin blue-grey smoke, nestled at the edge of the solar field. Hydro 0.6 GW is suggested minimally by a small run-of-river weir in a creek crossing the lower left corner. The sky is entirely overcast at 100%, a heavy uniform blanket of stratocumulus in shades of ash and pewter, pressing down oppressively — no blue, no sun disk, no breaks. Daytime lighting at 10:00 provides even, flat, shadowless illumination. Temperature 8.6°C: autumn foliage in muted gold and rust on scattered birch and oak trees, grass fading to brown, morning dew still on the panels. The atmosphere feels heavy and compressed, reflecting the high electricity price — a brooding, weighty industrial landscape. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich impasto brushwork, atmospheric aerial perspective, meticulous engineering detail on every structure, deep tonal contrast between the pale steam and dark industrial silhouettes, reminiscent of Carl Blechen's industrial scenes. No text, no labels, no people prominent.