Brown coal 12.2 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers rising into the night sky, thick white-grey steam plumes billowing upward, lit from below by sodium-orange industrial floodlights; natural gas 11.8 GW fills the centre as several compact CCGT power plants with tall single exhaust stacks emitting shimmering heat haze, their steel structures gleaming under harsh artificial lighting; hard coal 4.5 GW appears centre-right as a dark industrial complex with conveyor belts and a single large smokestack trailing grey exhaust; biomass 4.4 GW sits to the right as a mid-sized plant with a wooden-chip storage dome and modest stack, warmly lit by amber facility lights; wind onshore 1.0 GW appears as a few distant three-blade turbines on a ridge at far right, their rotors barely turning in the stillness, blinking red aviation lights; hydro 0.9 GW is suggested by a small dam structure in the lower right foreground with water glinting under lamplight. The sky is completely black, a deep starless October night with no twilight, no moon — only the oppressive glow of industry against the void. The atmosphere is heavy and hazy, industrial exhaust hanging low in the still, cool autumn air at 13.7°C, with bare-branching deciduous trees and browning grass visible in the foreground. The overall mood is dense and weighty, reflecting extreme electricity prices. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich impasto brushwork, deep chiaroscuro contrasts between the black sky and the fiery industrial glow, atmospheric depth with layered smoke and mist, meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.