Brown coal 12.0 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into darkness; natural gas 8.4 GW occupies the center-left as a complex of compact CCGT units with tall single exhaust stacks emitting thin heat shimmer; wind onshore 10.6 GW spans the right half as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling hills, their red aviation warning lights blinking; wind offshore 1.5 GW appears as a small group of turbines on the far-right horizon line; hard coal 4.5 GW sits behind the brown coal plant as a smaller conventional power station with a single large chimney and conveyor belts; biomass 4.4 GW is depicted center-right as a modest industrial facility with a rounded silo and wood-chip storage yard, warmly lit; hydro 0.9 GW appears as a small dam structure in the mid-ground with a faint cascade of water catching artificial light. The sky is completely dark, deep black-navy, no twilight, no sky glow — it is 20:00 in October. The only illumination comes from sodium-orange streetlights along a road in the foreground, industrial floodlights on the power plants, and glowing windows of control buildings. The atmosphere is heavy and oppressive, reflecting the high electricity price — low clouds barely visible overhead lit from below by the industrial glow. Autumn vegetation: trees with half-shed leaves in muted brown and gold tones visible only where light falls. Temperature is mild at 15.8°C, so no frost. Light wind barely stirs the turbine blades — they rotate slowly. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of deep blues, burnt oranges, warm yellows from artificial light, with visible impasto brushwork, atmospheric depth, and meticulous engineering detail on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.