Wind onshore 13.3 GW dominates the right half of the scene as dozens of tall three-blade turbines with white lattice towers receding across dark rolling hills, rotors turning in moderate wind; brown coal 9.3 GW occupies the left third as a massive lignite power station with four hyperbolic cooling towers issuing thick pale steam plumes lit from below by sodium-orange industrial lights; natural gas 4.7 GW appears centre-left as a compact CCGT facility with twin slender exhaust stacks emitting thin vapour, its rectangular turbine hall glowing with interior light; hard coal 3.0 GW sits behind the gas plant as a smaller classical coal station with a single tall brick chimney and a conveyor belt silhouette; biomass 3.8 GW is rendered as a mid-sized industrial plant with a rounded silo and wood-chip storage yard, warm light spilling from its doors; hydro 0.8 GW appears in the far background as a small dam structure with a faint cascade catching reflected lamplight; wind offshore 4.2 GW is suggested by a cluster of turbines on a distant dark horizon line beyond a river. The sky is completely black to deep navy, 100% cloud cover, no stars, no moon, no twilight — pure nighttime darkness at 04:00. The atmosphere is heavy and oppressive, reflecting the high electricity price. Autumn vegetation: bare-branching trees, muted brown and olive grasses. Artificial sodium streetlights cast amber pools along a road in the foreground. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich impasto brushwork, luminous atmospheric depth, dramatic chiaroscuro between the glowing industrial facilities and the vast dark countryside. Meticulous engineering accuracy on every turbine nacelle, cooling tower fluting, and exhaust stack. No text, no labels.