Wind onshore 27.8 GW dominates the right two-thirds of the scene as vast ranks of three-blade turbines on lattice towers stretching across rolling farmland into the distance, rotors spinning vigorously in strong wind; brown coal 6.3 GW occupies the far left as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; natural gas 5.7 GW appears centre-left as a pair of compact CCGT power stations with tall single exhaust stacks venting thin heat shimmer; hard coal 3.0 GW sits beside the brown coal as a smaller conventional plant with rectangular boiler house and twin chimneys; biomass 4.0 GW is rendered as a mid-ground industrial facility with a rounded silo and modest stack; hydro 0.9 GW appears as a small dam structure with water gleaming faintly in the far mid-ground; wind offshore 6.0 GW is suggested on the distant horizon as a row of red aviation-warning lights blinking above an invisible sea line. TIME: midnight, completely dark sky, deep navy-black, no twilight, no sky glow, only artificial lighting — sodium streetlights cast amber pools along access roads, industrial floodlights illuminate plant structures, red obstruction lights dot every turbine nacelle. Stars visible through perfectly clear sky (1% cloud cover). Autumn atmosphere: bare-branched oaks, dry stubble fields, temperature near 8°C suggested by faint ground mist curling at turbine bases. The mood is heavy and oppressive despite the open landscape, reflecting the high electricity price — a brooding, weighty atmosphere. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich impasto brushwork, dramatic chiaroscuro between industrial light and enveloping darkness, atmospheric depth with distant turbines fading into haze, meticulous engineering accuracy on turbine nacelles, cooling tower geometry, and CCGT exhaust structures. No text, no labels.