Wind onshore 34.4 GW dominates the scene as vast ranks of three-blade turbines with white tubular towers and detailed nacelles stretching across rolling hills from the centre to the far right, their rotors visibly blurred with motion in strong wind; solar 22.8 GW appears as extensive fields of aluminium-framed crystalline silicon PV panels covering gentle slopes in the centre-right foreground, their surfaces reflecting only the flat grey light of total overcast; wind offshore 6.0 GW is visible on the distant horizon at centre-left as a line of larger turbines rising from a steel-grey North Sea; brown coal 4.6 GW occupies the left foreground as a cluster of massive hyperbolic concrete cooling towers with thick white steam plumes shearing sideways in the wind, beside a conveyor-fed lignite bunker; biomass 4.0 GW sits just left of centre as a modest wood-chip-fed power plant with a single squat smokestack and fuel storage dome; natural gas 3.2 GW appears as a compact CCGT facility with a single tall exhaust stack and visible heat shimmer, tucked between the coal plant and wind fields; hydro 1.0 GW is suggested by a small dam and penstock on a wooded hillside at far left; hard coal 0.9 GW is a smaller conventional stack barely visible behind the lignite towers. The sky is completely overcast with thick, uniform stratiform cloud in tones of pewter and dove grey, lit by diffuse midday daylight — no sun disk visible, no shadows on the ground. The season is early autumn: trees show gold and russet foliage, meadows are damp green, temperature is cool at 9°C. The low electricity price is conveyed by a calm, open, spacious composition with wide horizon. Painted as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape masters — rich layered colour, visible confident brushwork, deep atmospheric perspective, meticulous engineering detail on every turbine nacelle, every PV cell edge, every cooling tower's concrete ribbing — a masterwork industrial landscape. No text, no labels.