Solar 52.2 GW dominates three-quarters of the composition as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across rolling hills and agricultural plains, their blue-black surfaces glinting under strong midday sun; brown coal 4.5 GW occupies the far left background as a cluster of massive hyperbolic concrete cooling towers emitting thick white steam plumes against the sky; biomass 3.6 GW appears as a mid-sized wood-chip power station with a tall exhaust stack and timber storage yards in the left-centre middle ground; natural gas 1.7 GW is rendered as a compact CCGT plant with a single gleaming exhaust stack and modest heat-shimmer plume near the centre-left; hydro 1.6 GW appears as a concrete dam with cascading water in a narrow valley at far right; hard coal 1.2 GW shows as a smaller coal plant with a single stack and coal conveyor in the left background behind the lignite towers; wind onshore 0.9 GW is a sparse handful of three-blade turbines on a distant ridge, their rotors barely turning in the still air. Time is 1:00 PM full summer daylight: the sun is high and intense, shadows short, sky mostly hazy blue-white with scattered cumulus clouds covering roughly 60% of the upper atmosphere, atmosphere calm and shimmering with heat haze at 34.6°C. Vegetation is lush but heat-stressed — yellowing grass between panel rows, deep green deciduous trees with wilting leaves, dry wheat fields. The overall mood is serene, open, and expansive — a landscape drowning in quiet surplus energy. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich saturated colour, visible impasto brushwork, atmospheric aerial perspective fading to pale haze at the horizon, meticulous engineering detail on every turbine nacelle, panel frame, cooling tower, and smokestack. No text, no labels.