Brown coal 8.7 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into black sky, lit from below by sodium-orange industrial lights; natural gas 4.1 GW appears centre-left as two compact CCGT units with tall single exhaust stacks emitting thin heat shimmer, illuminated by harsh white floodlights; hard coal 3.9 GW sits centre-right as a large coal-fired station with rectangular boiler buildings and a single wide chimney trailing dark smoke, lit by amber security lights; biomass 3.7 GW is rendered as a modest wood-chip-fed power plant with a squat smokestack and conveyor belt, glowing warmly in the mid-ground; wind onshore 2.6 GW appears as a small row of three-blade turbines on a distant ridge to the right, red aviation warning lights blinking; wind offshore 2.7 GW is suggested by a faint line of turbine warning lights on the far-right horizon over a dark sea; hydro 2.1 GW is a concrete dam structure in the right foreground with water cascading, floodlit from below. The sky is completely black with faint stars, no twilight, no sky glow — a deep July night at 03:00. The air is mild at 13°C, lush green summer vegetation barely visible in peripheral lamplight. The atmosphere is heavy and oppressive, haze thickening around the cooling towers reflecting the high electricity price. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark palette of deep navy, ochre, burnt sienna, with visible impasto brushwork, dramatic chiaroscuro from industrial lighting against the void of night, atmospheric depth with steam and haze layering the middle distance. Meticulous engineering detail on every turbine nacelle, lattice tower, cooling tower shell, and CCGT exhaust stack. No text, no labels.