Wind onshore 27.0 GW dominates the scene as vast ranks of three-blade turbines on lattice towers stretching across the right two-thirds of the composition, rotors spinning visibly in moderate wind across rolling central German hills; wind offshore 5.6 GW appears as distant turbines on a far horizon line barely visible through atmospheric haze; brown coal 4.1 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting thick white steam plumes lit from below by orange sodium lamps; hard coal 3.1 GW sits beside them as a smaller power station with rectangular chimney stacks and conveyor belts; natural gas 3.8 GW appears as compact CCGT units with tall single exhaust stacks and clean metallic housings, positioned center-left; biomass 4.1 GW is rendered as a mid-sized industrial plant with a wood-chip storage dome and modest stack; hydro 1.9 GW appears as a small concrete dam with spillway in the middle distance near a river. The time is midnight — a completely black sky with no twilight, no glow on the horizon, deep navy-black atmosphere with scattered stars visible through perfectly clear skies (0% cloud cover). All facilities are lit only by artificial light: sodium-orange streetlamps, security floodlights on industrial structures, and the faint red aviation warning lights on wind turbine nacelles dotting the darkness. Summer vegetation — lush green grass and full deciduous trees — is barely visible in the artificial light. The atmosphere feels heavy and oppressive despite the clear sky, reflecting a high electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich colour, dramatic chiaroscuro between artificial light pools and surrounding darkness, visible impasto brushwork, atmospheric depth receding into black distance — but with meticulous engineering accuracy on every turbine nacelle, cooling tower curve, and exhaust stack. No text, no labels.