Wind onshore 26.5 GW dominates the scene as vast ranks of three-blade turbines on lattice towers stretching across the entire right two-thirds of the canvas, rotors spinning visibly in moderate wind; wind offshore 5.6 GW appears as a distant cluster of larger turbines on the far-right horizon over a dark sea; brown coal 3.8 GW occupies the far left as two massive hyperbolic cooling towers with pale steam plumes lit from below by sodium-orange industrial lights; hard coal 3.2 GW sits just right of the brown coal as a blocky power station with conveyor belts and a single rectangular stack, coal yard visible under floodlights; natural gas 3.3 GW appears as a compact CCGT plant with a tall single exhaust stack venting a thin heat shimmer, positioned between the coal plants and the wind turbines; biomass 3.7 GW shows as a modest wood-chip-fed plant with a squat smokestack and a pile of biomass feedstock illuminated by yellow work lights; hydro 1.8 GW is suggested by a small dam structure and spillway in the lower-left foreground, water reflecting artificial light. The sky is completely dark, deep navy-black, no twilight, no sky glow, stars faintly visible through only 3% cloud cover — an almost perfectly clear summer night. The landscape is a gently rolling north German plain with lush green summer vegetation rendered in dark tones. Sodium streetlights cast isolated orange pools along a road threading through the turbine field. The atmosphere feels heavy and slightly oppressive despite the clear sky, hinting at the high electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial sublime — rich dark blues, warm industrial oranges, visible impasto brushwork, atmospheric depth and chiaroscuro contrast between the illuminated industrial infrastructure and the vast dark countryside. Meticulous engineering detail on turbine nacelles, cooling tower curvature, CCGT stacks. No text, no labels.