Solar 44.3 GW dominates the composition as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across more than half the canvas, covering gentle rolling hills under a bright but uniformly overcast white-grey sky with no visible sun disc; onshore wind 24.3 GW fills roughly a third of the scene as dozens of tall three-blade turbines with white nacelles and tubular towers on ridgelines behind the solar fields, blades visibly in motion from moderate wind; brown coal 3.0 GW appears as a small cluster of hyperbolic cooling towers on the far left horizon emitting thin wisps of steam; offshore wind 2.4 GW is suggested by distant turbines on a hazy flat horizon line at far right; biomass 3.6 GW rendered as a modest wood-chip plant with a short stack and small steam plume near the brown coal cluster; natural gas 1.6 GW shown as a compact CCGT facility with a single slender exhaust stack and minimal exhaust; hard coal 1.3 GW as a single smaller stack beside the gas plant; hydro 1.5 GW as a small concrete dam with spillway visible in a river valley in the middle distance. Full midday daylight, diffuse and shadowless from the heavy overcast — the sky is luminous pearl-white with no blue patches. Summer vegetation: lush green deciduous trees, tall grass, wildflowers in meadows between panels. The atmosphere feels calm, open, and expansive, reflecting the negative electricity price — no oppression, no drama, just quiet industrial abundance. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich layered colour, visible confident brushwork, atmospheric aerial perspective receding into hazy distance, meticulous engineering accuracy on every turbine nacelle, every panel frame, every cooling tower curve. No text, no labels.