Solar 41.4 GW dominates the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across more than half the canvas, angled south on metal racking across gentle rolling green hills; onshore wind 24.9 GW fills the upper-right third as dozens of tall three-blade turbines on lattice and tubular towers, rotors visibly turning in moderate wind; offshore wind 2.4 GW appears as a distant cluster of turbines on the far horizon above a hazy river; biomass 3.6 GW is rendered as a mid-ground industrial facility with a wood-chip silo and modest exhaust; brown coal 3.0 GW sits at the far left as two hyperbolic concrete cooling towers emitting thick white steam plumes; natural gas 1.5 GW appears as a compact CCGT plant with a single tall exhaust stack and thin heat shimmer; hard coal 1.4 GW is a smaller coal plant with a single square cooling tower and conveyor belt; hydro 1.5 GW is a small run-of-river weir with flowing water in the middle distance. Time is 3 PM on a summer afternoon: full daylight but an overcast sky with 89% cloud cover — a thick layer of grey-white stratocumulus diffusing the sun, yet bright enough that shadows are faint; patches of direct sunlight (364 W/m²) break through in places, casting warm highlights on the solar panels. Temperature 21.8°C: lush midsummer vegetation, full green deciduous canopy, wildflowers in meadows. The negative electricity price is conveyed through a calm, open, almost drowsy atmosphere — no tension, expansive pale sky, serene mood. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich colour, visible impasto brushwork, atmospheric aerial perspective, meticulous engineering detail on every turbine nacelle, PV module, and cooling tower, dramatic compositional depth from foreground panels to distant horizon turbines. No text, no labels.