Wind onshore 14.9 GW dominates the right two-thirds of the scene as dozens of towering three-blade turbines with white tubular towers and detailed nacelles stretching across rolling dark hills; brown coal 5.1 GW occupies the far left as a cluster of massive hyperbolic cooling towers releasing thick pale steam plumes into the black sky, lit from below by sodium-orange industrial floodlights; biomass 3.9 GW appears as a mid-ground industrial plant with a tall stack and warm amber-lit facility windows; wind offshore 3.6 GW is visible on the distant horizon as a faint line of red aviation warning lights marking turbines over an invisible sea; natural gas 3.1 GW is rendered as a compact CCGT plant with a single tall exhaust stack and a thin heat shimmer, positioned center-left; hard coal 2.4 GW appears as a smaller coal-fired station with a rectangular boiler house and conveyor belts, glowing under harsh white work lights; hydro 1.6 GW is suggested by a concrete dam structure in a valley with spillway foam catching artificial light. The sky is completely dark, deep black-navy with 84% cloud cover blocking all stars, no twilight, no sky glow—a true 1 AM summer night. The atmosphere is heavy and oppressive, reflecting a high electricity price. A mild 14°C July night: lush dark-green deciduous foliage barely visible in peripheral lamplight, damp grass glistening. Wind at 11 km/h gives gentle motion to turbine blades. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich, deep color palette dominated by blacks, dark blues, warm industrial oranges and ambers, visible confident brushwork, atmospheric depth with layers of haze around the cooling towers, meticulous engineering detail on every turbine nacelle, lattice tower, and cooling tower shell. No text, no labels.