Wind onshore 14.6 GW dominates the right two-thirds of the scene as dozens of three-blade turbines on lattice and tubular towers stretching across dark rolling hills, rotors visibly turning in moderate wind; brown coal 5.2 GW occupies the left foreground as a cluster of massive hyperbolic cooling towers emitting pale steam plumes lit from below by orange sodium lamps; biomass 3.9 GW appears as a mid-sized industrial plant with a squat stack and warm amber-lit windows just left of centre; wind offshore 3.6 GW is suggested by distant turbines on a dark horizon line where land meets sea in the far background; natural gas 2.7 GW is rendered as a compact CCGT facility with a single tall exhaust stack and a faint blue-white flare, positioned between the coal plant and the onshore turbines; hard coal 2.4 GW appears as a smaller coal station with conveyor belts and a pair of rectangular chimneys emitting thin grey smoke, tucked behind the lignite towers; hydro 1.5 GW is a modest dam structure in a valley to the far right with water glinting faintly under facility lights. The sky is completely dark — deep navy-black, no twilight, no sky glow — it is 2 AM in July; scattered clouds at 47% cover partially obscure stars. The atmosphere feels heavy and oppressive, reflecting the high electricity price: humid summer air hangs dense over the landscape. Temperature is mild at 13.8°C; summer vegetation is lush — dark green deciduous trees, tall grass along field edges. All structures are illuminated only by artificial light: sodium-orange streetlights along access roads, white industrial floodlights on plant structures, red aviation warning lights blinking atop turbine nacelles and chimney tops. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich, deep colour palette of indigo, amber, and slate; visible confident brushwork; atmospheric depth with layers of industrial haze; meticulous engineering accuracy on all turbine nacelles, cooling tower parabolic profiles, CCGT stacks, and coal conveyor infrastructure. The mood evokes Caspar David Friedrich reimagining an industrial nocturne. No text, no labels.