Wind onshore 14.3 GW dominates the right two-thirds of the scene as dozens of tall three-blade turbines with white lattice towers stretching across rolling dark hills, rotors turning steadily; wind offshore 3.7 GW appears on the far right horizon as a cluster of turbines silhouetted against a deep-navy sea line. Brown coal 5.2 GW occupies the left foreground as two massive hyperbolic cooling towers emitting pale steam plumes lit from below by amber sodium lights. Biomass 3.7 GW sits as a mid-sized industrial facility with wood-chip conveyors and a single illuminated smokestack just left of centre. Natural gas 2.7 GW is rendered as a compact CCGT plant with a polished exhaust stack and warm-lit control building in the centre-left middle ground. Hard coal 2.3 GW appears behind the gas plant as a darker, older boiler house with a rectangular chimney trailing thin grey smoke. Hydro 1.5 GW is suggested by a small dam with white water cascading in the left background valley. Time is 03:00 in July: the sky is completely black with no twilight, no sky glow, scattered stars visible through 29% thin cloud wisps; the only illumination comes from sodium-orange streetlights, glowing facility windows, and red aviation warning lights atop the turbines and stacks. The air feels heavy and oppressive, reflecting a high electricity price — a low haze clings to the terrain, diffusing the artificial lights into orange halos. Summer vegetation is lush but rendered in dark muted greens visible only near lit areas. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — Caspar David Friedrich meets industrial sublime — with rich colour contrasts between warm sodium glow and cool night sky, visible impasto brushwork, atmospheric depth through layered mist, and meticulous engineering accuracy in every turbine nacelle, cooling tower rib, and conveyor belt. No text, no labels.