Solar 29.0 GW dominates the right half of the scene as vast rolling fields of aluminium-framed crystalline silicon PV panels stretching to the horizon under a uniformly overcast, bright pearl-grey sky with no direct sun; wind onshore 20.1 GW fills the centre and left-centre as dozens of tall three-blade turbines on lattice and tubular towers, rotors spinning briskly in the steady breeze, set across green summer farmland with full-leafed trees and hedgerows at 20°C; biomass 3.6 GW appears as a compact wood-chip plant with a modest smokestack in the left-centre middle ground; wind offshore 1.9 GW is suggested by a distant row of turbines on the far horizon, barely visible through haze; brown coal 1.9 GW occupies the far left as a pair of large hyperbolic cooling towers with thin white steam plumes rising into the flat cloud layer; natural gas 1.4 GW sits beside them as a small CCGT unit with a single clean exhaust stack; hydro 1.4 GW appears as a low concrete weir with spillway water in the foreground valley; hard coal 0.2 GW is a single dark smokestack, barely smoking, almost idle, tucked behind the gas plant. The lighting is full daytime but entirely diffuse — no shadows, no sun disk visible — a luminous flat light characteristic of a thick overcast July afternoon. The atmosphere is calm and open, reflecting the negative electricity price. Lush midsummer vegetation: deep green grass, wildflowers, mature deciduous canopy. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich layered colour, visible confident brushwork, atmospheric aerial perspective receding into milky distance — yet every turbine nacelle, every PV cell grid, every cooling tower hyperbolic curve rendered with meticulous engineering accuracy. No text, no labels.