Wind onshore 10.4 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers arrayed across dark rolling hills, rotors slowly turning in light breeze; wind offshore 3.8 GW appears as a distant cluster of turbines on the far-right horizon over a faintly visible dark sea; brown coal 5.7 GW occupies the left foreground as three massive hyperbolic cooling towers emitting thick white-grey steam plumes lit from below by orange sodium lamps; hard coal 2.4 GW sits left of centre as a smaller coal-fired plant with a tall rectangular chimney stack and visible conveyor infrastructure; biomass 3.9 GW appears centre-left as a mid-sized industrial facility with cylindrical silos and a modest stack venting pale exhaust; natural gas 2.2 GW is rendered centre-right as a compact CCGT plant with a single gleaming exhaust stack and smaller vapour trail; hydro 1.2 GW is suggested by a small dam structure with spillway in the middle distance near a dark river. The sky is completely black to deep navy with 99% cloud cover — no stars, no moon, no twilight glow whatsoever, a fully overcast pre-dawn summer night at 04:00. The atmosphere is heavy and oppressive, reflecting the high electricity price. Ground-level illumination comes only from amber and white industrial lighting, sodium streetlamps along a road, and faint glowing windows in a small village nestled between the turbines and the coal plant. Summer vegetation — leafy deciduous trees, tall grass — is barely discernible in the artificial light. The scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark tones, visible impasto brushwork, dramatic chiaroscuro from industrial light sources against the void-like sky, and meticulous engineering accuracy in every turbine nacelle, cooling tower curve, and exhaust stack. No text, no labels.