Wind onshore 10.4 GW dominates the right half of the canvas as dozens of three-blade turbines on lattice towers stretching across rolling green hills into the misty distance; wind offshore 4.5 GW appears as a row of larger turbines on the far-right horizon above a sliver of dark North Sea; brown coal 5.8 GW occupies the left quarter as a massive lignite power station with three hyperbolic cooling towers issuing thick white-grey steam plumes into the heavy sky; biomass 3.9 GW sits left of centre as a cluster of industrial biomass plants with tall stacks and wood-chip storage domes; hard coal 2.4 GW appears as a smaller coal station with a single rectangular cooling tower and conveyor belts near the brown coal complex; natural gas 2.3 GW is rendered as two compact CCGT units with slim exhaust stacks and modest heat shimmer in the centre-left; hydro 1.2 GW is a small dam with spillway visible in a valley in the centre background; solar 0.3 GW is barely suggested by a few dark, dormant PV panels on a barn roof, unlighted. Time is 05:00 pre-dawn in July: the sky is deep blue-grey with the faintest pale band of cold light on the eastern horizon, no direct sunlight, no warm tones — landscape lit primarily by sodium-yellow industrial lighting from the power stations and red aviation warning lights on turbine nacelles. Cloud cover is 96%, a thick unbroken overcast pressing low and heavy, creating an oppressive, weighty atmosphere reflecting the high electricity price. Temperature is mild at 15°C: lush midsummer vegetation — dense green grass, full-leafed deciduous trees — but all rendered in muted, dark pre-dawn tones. Light wind ripples through the grass. Style: highly detailed oil painting in the tradition of Caspar David Friedrich and Carl Blechen — rich, layered colour with visible confident brushwork, dramatic atmospheric depth, Romantic chiaroscuro between industrial glow and the vast dark sky. Meticulous engineering detail on every turbine nacelle, cooling tower hyperbolic curve, and gas turbine exhaust stack. No text, no labels, no people.