Brown coal 8.2 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers emitting thick white-grey steam plumes, lit from below by amber sodium lamps; natural gas 5.8 GW fills the centre-left as a row of compact CCGT power blocks with tall single exhaust stacks venting thin heat shimmer, illuminated by floodlights; hard coal 3.5 GW appears centre-right as a smaller coal-fired station with a rectangular stack and visible conveyor belts under harsh industrial lighting; onshore wind 8.3 GW stretches across the right third as a line of modern three-blade turbines on lattice-and-tubular towers along a dark ridge, their red aviation warning lights blinking; biomass 4.0 GW is rendered as a mid-sized wood-chip-fired plant with a modest stack and illuminated fuel yard nestled between the coal station and the turbines; hydro 1.2 GW appears as a small concrete run-of-river weir in the foreground with a faintly lit turbine house beside a dark river reflecting industrial glow. The sky is completely dark — a deep navy-black summer night with no twilight, no sky glow, and scattered stars barely visible through the industrial haze. Clear sky, zero cloud cover, warm July atmosphere with lush green deciduous trees visible at the edges in the sodium light spill. The mood is oppressive and heavy, reflecting a 168 EUR/MWh price — dense steam, thick warm air, a slightly hazy atmosphere pressing down. The scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich impasto brushwork, dramatic chiaroscuro between the deep darkness and the orange-amber industrial illumination, atmospheric depth receding into a black horizon. Each technology is painted with meticulous engineering accuracy: three-blade rotor profiles, hyperbolic concrete shell geometry, aluminium-clad CCGT modules. No text, no labels.