Brown coal 9.8 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the night sky, their concrete surfaces lit by orange sodium lights at their bases; wind onshore 8.4 GW fills the right third as rows of tall three-blade turbines on lattice towers stretching across dark rolling hills, their red aviation warning lights blinking in sequence; wind offshore 1.8 GW appears as a distant line of turbines on the far right horizon over a faintly reflective body of water; natural gas 5.8 GW occupies the centre-left as two compact CCGT power stations with slender exhaust stacks emitting thin heat shimmer, brightly lit with white industrial lighting; hard coal 3.5 GW sits centre-right as a blocky power station with twin chimneys and a visible coal conveyor belt illuminated under floodlights; biomass 4.1 GW appears in the centre as a mid-sized industrial facility with a domed digester and a single stack with a faint warm glow; hydro 1.5 GW is rendered as a small concrete dam structure in the lower right with spillway water catching artificial light. The sky is completely black with no twilight, no sky glow — a deep navy-to-black dome with scattered faint stars visible only where steam plumes do not obscure them. The atmosphere is heavy and oppressive despite the clear sky, with a hazy warm-air distortion near the thermal plants reflecting the high electricity price. Warm summer vegetation — dark green deciduous trees and lush grass — is barely visible in the sodium light spill. The entire scene is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich impasto brushwork, dramatic chiaroscuro between the artificial lighting and the deep night, atmospheric depth receding toward the distant offshore turbines, and meticulous engineering accuracy in every turbine nacelle, cooling tower profile, and exhaust stack. No text, no labels.