Brown coal 10.0 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into a black midsummer night sky; natural gas 5.0 GW occupies the centre-left as a row of compact CCGT power stations with tall single exhaust stacks glowing faintly with internal combustion light; hard coal 3.9 GW appears centre-right as older industrial boiler houses with brick chimneys and orange-lit conveyor belts; biomass 3.9 GW sits as a pair of smaller facilities with cylindrical storage silos and modest stacks, lit by sodium-yellow industrial lamps; wind onshore 7.9 GW spans the right third as a long row of tall three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking against the deep-navy-to-black sky, rotors visibly turning in moderate wind; wind offshore 1.1 GW appears as a distant cluster of turbines on the far-right horizon above a dark sea sliver; hydro 1.5 GW is rendered as a small dam structure with spillway in the lower right foreground, floodlit in cold white light. The sky is completely dark, no twilight, no sky glow — a cloudless black canopy with scattered stars overhead. The warm 21°C midsummer air is suggested by lush green deciduous trees and tall grass in the foreground, visible under the amber pools of sodium streetlights lining a road that winds through the industrial landscape. The atmosphere is heavy and oppressive despite the clear sky, conveying the weight of high electricity prices — a slight industrial haze clings low, tinged amber from artificial lighting. Painted in the style of a highly detailed 19th-century German Romantic oil painting with rich impasto brushwork, dramatic chiaroscuro between the deep night sky and the glowing industrial facilities, atmospheric depth receding into distant darkness, meticulous engineering accuracy in every turbine nacelle, cooling tower curvature, and exhaust stack detail. No text, no labels.