Solar 32.8 GW dominates the right two-thirds of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle green summer hills, their surfaces reflecting diffuse white light. Brown coal 10.6 GW occupies the left quarter as a cluster of massive hyperbolic cooling towers with heavy grey-white steam plumes rising into the overcast, flanked by conveyor belts carrying dark lignite. Hard coal 3.9 GW appears as a compact power station with a tall rectangular stack emitting a thinner plume, positioned behind the cooling towers. Natural gas 3.9 GW is rendered as a sleek CCGT plant with a single polished exhaust stack and modest heat shimmer, nestled between the coal complex and the solar fields. Biomass 3.9 GW appears as a mid-sized facility with rounded silos and a low wooden-chip storage dome near the centre-left. Wind onshore 1.7 GW is represented by a small cluster of three-blade turbines on a distant ridge, their rotors barely turning in the still air. Hydro 1.4 GW appears as a small dam and powerhouse visible in a valley in the far background. Wind offshore 0.2 GW is a faint suggestion of two turbines on the hazy horizon line. The sky is entirely overcast with a uniform layer of white-grey stratus clouds creating bright but flat mid-morning daylight at 10:00 AM in July — no direct sun disk visible, yet the scene is luminous with diffuse light. The atmosphere feels heavy, slightly oppressive, with a warm humid summer quality matching 22.8°C — lush green deciduous trees in full leaf, wildflowers in meadow edges. Transmission lines with lattice steel pylons connect the facilities across the landscape. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich layered colour, visible confident brushwork, atmospheric depth with aerial perspective softening distant elements — but with meticulous engineering accuracy in every turbine nacelle, panel array, and cooling tower. The mood balances industrial grandeur with pastoral summer warmth under an oppressive overcast ceiling. No text, no labels.