Solar 25.0 GW dominates the centre and right of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across gentle rolling hills under a heavy, uniform overcast sky with no direct sun — only flat diffuse grey-white light; wind onshore 17.8 GW fills the background and left horizon as dozens of tall three-blade turbines on lattice and tubular towers, rotors spinning briskly in moderate wind, scattered across green summer farmland; wind offshore 1.3 GW appears as a faint row of turbines visible on a distant hazy horizon line; biomass 3.7 GW is rendered as a mid-ground wood-chip power station with a tall stack emitting thin white exhaust; brown coal 2.7 GW occupies the far left as two hyperbolic cooling towers with modest steam plumes rising into the overcast; natural gas 1.5 GW appears as a compact CCGT plant with a single slim exhaust stack beside the cooling towers; hydro 0.9 GW is a small weir and penstock visible in a stream cutting through the foreground meadow; hard coal 0.4 GW is a single small smokestack barely visible behind the lignite plant. The sky is entirely overcast at 97% cloud cover — thick stratiform clouds in layered greys and muted whites, no blue sky visible, yet the scene is fully lit with the bright ambient daylight of a 16:00 summer afternoon, casting soft shadowless illumination across lush green vegetation at 23.9 °C — tall grasses, wildflowers, full-canopy deciduous trees in deep summer foliage. The atmosphere feels calm, open, and unburdened, reflecting the near-zero electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible impasto brushwork, atmospheric aerial perspective with haze softening distant elements — but with meticulous engineering accuracy on every turbine nacelle, PV module busbar, cooling tower shell geometry, and CCGT exhaust detail. No text, no labels, no people.