Solar 31.0 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across rolling green summer farmland, angled toward a partially cloudy sky; wind onshore 19.9 GW fills the centre-right as dozens of tall three-blade turbines on lattice and tubular towers, rotors turning steadily in moderate wind; wind offshore 3.1 GW appears as a distant cluster of turbines on the hazy horizon line above a far river or lake; brown coal 5.9 GW occupies the left background as a cluster of massive hyperbolic cooling towers with lazy white steam plumes rising into broken cloud; natural gas 3.3 GW is rendered as two compact CCGT plants with slim silver exhaust stacks and thin heat shimmer, positioned left of centre; hard coal 2.2 GW appears as a single smaller power station with a dark rectangular boiler house and one smokestack beside the lignite complex; biomass 4.0 GW is shown as a wooden-clad biomass CHP facility with a modest chimney and stacked timber logs nearby, placed in the mid-ground among trees; hydro 1.1 GW is a small weir with white rushing water in the foreground stream. Full late-morning daylight at 10:00 in summer — the sun is moderately high in the southeast, casting warm but diffused light through 59% broken cumulus clouds, patches of blue sky visible, soft shadows on the landscape. Temperature 17.6°C: lush green deciduous trees, wildflowers, damp grass suggesting a cool but pleasant July morning. Calm, open atmosphere reflecting a low electricity price. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible confident brushwork, atmospheric aerial perspective with haze toward the horizon, meticulous engineering accuracy on every turbine nacelle, every panel frame, every cooling tower's parabolic concrete shell. No text, no labels, no people prominent — the landscape and its machines are the subject.