Wind onshore 14.6 GW dominates the right half of the scene as dozens of tall three-blade turbines with white tubular towers and nacelles stretching across rolling green hills, blades visibly turning in moderate wind; wind offshore 3.3 GW appears in the far right background as a cluster of turbines standing in a distant dark sea; brown coal 7.8 GW occupies the left quarter as massive hyperbolic concrete cooling towers emitting thick white-grey steam plumes, with adjacent conveyor belts and lignite stockpiles; hard coal 3.8 GW sits just right of centre-left as a pair of smaller rectangular power station buildings with tall brick chimneys trailing darker smoke; natural gas 4.0 GW appears at centre as compact CCGT units with polished single exhaust stacks releasing thin transparent heat shimmer; biomass 4.2 GW is rendered as a medium-sized industrial plant with a rounded silo and wood-chip storage yard near the centre-right; hydro 1.0 GW is a small concrete dam with spillway visible in a valley in the middle distance; solar 1.6 GW appears as a modest field of aluminium-framed crystalline silicon panels in the foreground, panels dark and barely reflective in the fading light. The sky is a late summer evening at 20:00 in Germany — the sun has set, the sky above is deep navy-blue darkening to near black at the zenith, with only the faintest warm amber glow lingering on the western horizon; the atmosphere is heavy, oppressive, hazy with humidity and industrial vapor reflecting the high electricity price. Sodium-orange streetlights dot the foreground roads and the industrial facilities glow with warm artificial lighting from windows and floodlights. Summer vegetation is lush — full green deciduous trees, tall grass, wildflowers — at a comfortable 20°C evening. Partially cloudy sky at 66% coverage with heavy cumulus formations dimly lit from below by industrial light. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich saturated colour, visible impasto brushwork, dramatic chiaroscuro, atmospheric depth with layered mist and haze, meticulous engineering accuracy on all turbine nacelles, cooling tower geometries, and panel structures. No text, no labels.