Brown coal 10.6 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, their bases glowing orange from furnace light; wind 10.5 GW spans the right third as rows of three-blade turbines on lattice towers with slowly turning rotors, red aviation warning lights blinking on their nacelles; natural gas 5.8 GW occupies the centre-left as compact CCGT units with tall single exhaust stacks emitting thin heat shimmer, lit by sodium flood lamps; hard coal 4.7 GW appears centre-right as a traditional power station with squat rectangular boiler houses and a pair of striped chimneys trailing grey smoke; biomass 3.8 GW shows as a smaller industrial plant with a domed digester and a wood-chip conveyor, warmly lit from within; hydro 1.0 GW appears in the far background as a concrete dam with a faint cascade of water catching reflected light. The sky is completely black with scattered stars and no moon, no twilight glow on the horizon whatsoever. The atmosphere feels heavy and oppressive despite the clear sky, a faint industrial haze diffusing the artificial lights. Summer foliage on deciduous trees is dark green, barely visible in ambient light. Sodium streetlights cast amber pools on a road winding through the foreground. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich chiaroscuro, visible impasto brushwork, atmospheric depth — but with meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and exhaust stack. No text, no labels.