Brown coal 10.5 GW dominates the left third of the scene as a dense cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the black sky, lit from below by sodium-orange industrial floodlights; wind onshore 9.1 GW spans the centre-right as dozens of three-blade turbines on lattice towers stretching across rolling hills, their red aviation warning lights blinking in the darkness; natural gas 5.4 GW appears centre-left as a compact CCGT plant with twin exhaust stacks emitting thin heat shimmer, lit by harsh white facility lights; hard coal 4.6 GW sits adjacent to the brown coal as a smaller power station with rectangular cooling towers and a conveyor belt structure, illuminated in amber; wind offshore 3.1 GW is suggested in the far-right background as faint red blinking lights along the dark horizon line over a barely visible sea; biomass 3.8 GW appears as a modest wood-fired plant with a single smokestack and stacked timber, warmly lit; hydro 1.0 GW is a small dam structure at the far left edge with water gleaming faintly under facility lamps. The sky is completely black with no twilight glow, scattered stars visible through gaps between cooling tower plumes. The atmosphere feels heavy and oppressive, reflecting the high electricity price — a low haze clings to the ground, tinged orange by sodium lights. Summer vegetation is lush but barely visible in the darkness, with grass and deciduous trees faintly silhouetted. Light wind stirs the turbine blades at moderate speed. No solar panels anywhere. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich chiaroscuro, visible confident brushwork, atmospheric depth receding into industrial haze — yet every technology is depicted with meticulous engineering accuracy: turbine nacelles, three-blade rotors, aluminium walkways on cooling towers, steel exhaust stacks with heat distortion. No text, no labels.