Brown coal 10.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into the sky; natural gas 5.4 GW appears center-left as a pair of compact CCGT plants with tall single exhaust stacks and thinner grey emissions; hard coal 4.5 GW sits beside them as a blocky power station with conveyor belts and a squat chimney; wind onshore 10.2 GW fills the right third and extends across rolling green hills as dozens of three-blade turbines on lattice and tubular towers, blades turning gently in light wind; wind offshore 3.9 GW appears on the far-right horizon as a line of turbines standing in a sliver of visible sea; biomass 3.9 GW is rendered as a modest wood-clad industrial facility with a short smokestack amid stacked timber near the center; hydro 1.0 GW appears as a small concrete dam with spillway in a valley in the middle distance; solar 2.7 GW is shown as a modest field of aluminium-framed crystalline silicon panels on a hillside, their surfaces dark and unlit, catching no direct sunlight yet. The sky is pre-dawn: deep blue-grey overhead transitioning to a pale luminous band of cold silvery-blue light along the eastern horizon, with absolutely no direct sun visible. Clear sky with zero clouds. The air feels heavy and oppressive, hinting at the high electricity price — a faint industrial haze hangs low over the thermal plants. Summer vegetation is lush green but muted in the dim light. Temperature around 14°C gives a cool, dewy quality — moisture on grass and metal surfaces. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich, dark colour palette with visible impasto brushwork, atmospheric depth and chiaroscuro, reminiscent of Caspar David Friedrich crossed with industrial realism. Meticulous engineering accuracy on all turbine nacelles, rotor blades, cooling tower geometry, and panel framing. No text, no labels.