Solar 54.2 GW dominates the scene as a vast expanse of crystalline silicon photovoltaic panels stretching across rolling farmland covering more than two-thirds of the composition, their aluminium frames glinting under fierce midday sun; brown coal 5.0 GW appears in the left background as a cluster of hyperbolic cooling towers with pale grey-white steam plumes rising into the sky; wind onshore 7.9 GW is rendered as a line of tall three-blade turbines with white nacelles on lattice-free tubular towers along a distant ridge, blades turning slowly in light breeze; wind offshore 2.6 GW appears as a faint row of turbines on a hazy northern horizon above a sliver of sea; biomass 3.7 GW is depicted as a mid-ground industrial facility with a timber yard and a single modest smokestack; natural gas 1.8 GW shows as a compact CCGT plant with a single exhaust stack and minimal heat shimmer; hard coal 1.1 GW is a small coal-fired station with a single rectangular cooling tower at the far left edge; hydro 1.2 GW is a small dam and powerhouse nestled in a green valley at the right edge. The sky is completely cloudless, brilliant cobalt blue, with the sun at its zenith casting short sharp shadows; the landscape is midsummer with lush green deciduous trees, dry golden wheat fields, and shimmering heat haze over the solar arrays. The atmosphere is calm, luminous, and expansive, reflecting the very low electricity price. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters—rich saturated colour, visible impasto brushwork, atmospheric depth and golden light reminiscent of Caspar David Friedrich merged with industrial realism—meticulous engineering accuracy on every turbine nacelle, every PV panel row, every cooling tower curve. No text, no labels.