Solar 48.5 GW dominates the scene as a vast expanse of crystalline silicon photovoltaic panels stretching across rolling agricultural fields, covering roughly two-thirds of the panoramic composition, their aluminium frames glinting under a blazing, cloudless midsummer sky at 2 PM with the sun near zenith, casting short crisp shadows. Wind onshore 10.9 GW appears as dozens of three-blade turbines with white tubular towers and detailed nacelles arrayed along a ridge in the middle distance, their blades turning at moderate speed in the 20 km/h breeze. Wind offshore 2.5 GW is suggested by a cluster of larger turbines visible on a hazy horizon line above a distant strip of sea, far right. Brown coal 4.5 GW occupies the left background as three hyperbolic concrete cooling towers emitting thin, wispy steam plumes — modest compared to the vast solar foreground. Biomass 3.5 GW appears as a compact wood-fired plant with a short industrial stack and biomass storage silos, nestled among trees at left-centre. Natural gas 1.8 GW is rendered as a small modern CCGT unit with a single slender exhaust stack, positioned beside the biomass facility. Hydro 1.3 GW shows as a small dam and spillway set into a green hillside at the far left edge. Hard coal 0.8 GW is a modest traditional power station with a single stack, barely visible behind the cooling towers. The landscape is parched midsummer: golden-brown grasses, mature green but heat-stressed deciduous trees with slightly curled leaves, shimmering heat haze rising from asphalt and panel surfaces, temperature reading 37.6 °C conveyed through the oppressive stillness of the air. The sky is enormous, completely clear, deep cerulean blue fading to white-hot brilliance near the sun, with no clouds whatsoever. The atmosphere feels calm and open, reflecting the low electricity price — no oppressive weight, just relentless luminous heat. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich saturated colour, visible impasto brushwork, atmospheric aerial perspective with depth — yet with meticulous engineering accuracy for every turbine nacelle, every PV cell grid pattern, every cooling tower curvature. The composition evokes Caspar David Friedrich's sense of sublime scale, but the sublime here is technological: humanity's solar harvest under a merciless July sun. No text, no labels.