Brown coal 7.7 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes lit from below by sodium-orange industrial lighting; wind onshore 4.5 GW occupies the centre-right as a line of tall three-blade turbines on lattice towers, blades turning moderately in the night breeze, red aviation warning lights blinking on nacelles; natural gas 4.4 GW appears centre-left as two compact CCGT blocks with single tall exhaust stacks venting thin heat shimmer, brightly lit by facility floodlights; biomass 4.1 GW is rendered as a medium-sized industrial plant with a cylindrical silo and conveyor belt, warmly lit windows glowing amber; hard coal 3.5 GW sits beside the brown coal station as a smaller conventional plant with a single large smokestack and coal bunker; wind offshore 1.0 GW is suggested in the far distance as tiny lit nacelles on the horizon; hydro 1.1 GW appears as a small dam structure with spillway on the far right edge. The sky is completely black to deep navy, no twilight, no moon visible, dense 97% cloud cover obscuring all stars — the atmosphere feels heavy and oppressive reflecting the high electricity price. The summer landscape has lush dark green foliage on trees barely visible in the industrial glow. Warm 17.7°C air produces a slight haze around the cooling tower plumes. Sodium streetlights line a road in the foreground. High-voltage transmission pylons recede into the darkness suggesting the massive imports flowing into the grid. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich impasto brushwork, dramatic chiaroscuro between the orange industrial glow and the black sky, atmospheric depth, meticulous engineering accuracy on every turbine blade, cooling tower curve, and exhaust stack. No text, no labels.