Brown coal 7.3 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkness; wind 5.7 GW appears across the right third as a scattered line of tall three-blade turbines with rotors barely turning in still air, their red aviation warning lights blinking; natural gas 4.2 GW fills the centre-left as compact CCGT plants with slender exhaust stacks emitting thin heat shimmer; hard coal 3.5 GW sits behind the gas units as a heavy industrial complex with conveyor belts and a single wide smokestack; biomass 3.8 GW appears as a medium-sized wood-fired plant with a modest square stack and warm amber-lit facility windows near centre-right; hydro 1.1 GW is a small concrete dam structure visible in the far background at the foot of gentle hills. Time is 2 AM: the sky is completely black with no twilight, no stars visible through the 100% overcast cloud ceiling, the entire scene lit only by sodium-orange streetlights, amber industrial flood lamps, and the faint glow of furnace interiors. The atmosphere is heavy and oppressive, the low clouds pressing down on the landscape reflecting the orange industrial glow in a sickly haze, conveying the tension of a 156.8 EUR/MWh price environment. Summer vegetation — thick grasses, linden and beech trees in full dark-green leaf — is barely visible in the artificial light. Temperature is a mild 13°C; a faint mist clings to the ground around the cooling towers. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, rich dark palette of deep navy, burnt sienna, ochre, and charcoal grey, visible confident brushwork, atmospheric depth achieved through layered industrial haze, meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and gas stack geometry. No text, no labels.