Brown coal 7.2 GW dominates the left third of the scene as a massive lignite power station with four hyperbolic cooling towers emitting thick white-grey steam plumes into the black sky; wind onshore 4.4 GW and wind offshore 1.0 GW appear as a scattered line of tall three-blade turbines on a distant ridge in the centre-left, their rotors barely turning in the still air, red aviation warning lights blinking; natural gas 4.2 GW occupies the centre as two compact CCGT plants with slim exhaust stacks and faint heat shimmer; hard coal 3.5 GW sits to the right of centre as a coal-fired station with a single large chimney and conveyor belts visible under sodium-orange floodlights; biomass 3.8 GW appears as a cluster of smaller industrial buildings with short stacks and wood-chip storage domes, warmly lit; hydro 1.1 GW is suggested by a small dam structure in the far right background with a thin waterfall illuminated by a single floodlight. The time is 4:00 AM in summer — the sky is completely dark, deep navy-black, no twilight, no glow on the horizon, overcast at 99% cloud cover so no stars are visible. The atmosphere feels heavy, oppressive, and humid, reflecting the high electricity price. Sodium streetlights cast orange pools of light along access roads between the facilities. Summer vegetation — dark leafy trees, tall grass — is barely visible in the ambient industrial glow, damp with overnight dew at 12°C. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painting — rich, dark colour palette of deep blues, blacks, warm oranges and industrial greys, visible expressive brushwork, atmospheric depth with layers of steam and haze, meticulous engineering detail on each turbine nacelle, cooling tower curvature, and exhaust stack. The scene evokes a brooding industrial nocturne, a masterwork painting of the thermal-dominated grid. No text, no labels.