Wind onshore 15.1 GW dominates the right half of the scene as dozens of three-blade turbines on lattice towers stretching across dark rolling farmland, rotors turning gently in moderate wind; brown coal 9.0 GW occupies the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick luminous steam plumes lit from below by sodium-orange industrial floodlights; biomass 4.3 GW appears as a cluster of smaller industrial plants with wood-chip conveyors and modest stacks glowing warmly in the center-left; natural gas 3.7 GW is rendered as a compact CCGT facility with twin exhaust stacks and visible heat shimmer near the center; hard coal 3.3 GW sits behind as a traditional coal plant with a single large smokestack and coal bunkers illuminated by arc lights; hydro 1.2 GW is suggested by a small concrete dam with spillway visible at the far left edge, water reflecting artificial light; wind offshore 0.6 GW is barely visible as a few distant turbines on the far-right horizon over a dark plain. The sky is completely dark, deep navy-black, no twilight, no sky glow — it is 10 PM in summer. Stars are partially obscured by 51% cloud cover rendered as dark grey masses drifting across the firmament. The warm 21°C summer night shows lush green vegetation faintly lit by industrial glow. The atmosphere feels heavy and oppressive, reflecting a high electricity price — haze and humidity thicken the air around the cooling towers. All lighting is artificial: sodium streetlamps along access roads, floodlit industrial yards, red aviation warning lights on turbine nacelles and smokestacks. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — rich deep colour palette of amber, charcoal, navy, and slate; visible confident brushwork; atmospheric depth with industrial haze receding into darkness; meticulous engineering accuracy on turbine nacelles, cooling tower geometries, CCGT exhaust configurations, and coal plant structures. The painting captures the sublime tension of industry and nature at night. No text, no labels.