Brown coal 8.9 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the night sky, lit from below by amber sodium lamps; hard coal 3.3 GW appears just right of centre-left as a pair of smaller industrial stacks with red aviation warning lights and conveyor belt silhouettes; natural gas 3.6 GW occupies the centre as two compact CCGT plants with single tall exhaust stacks emitting thin heat shimmer, illuminated by white floodlights; wind onshore 17.3 GW spans the entire right half and background as dozens of tall three-blade turbines on lattice and tubular towers, their rotors visibly turning in moderate wind, red tip-lights blinking against the black sky; wind offshore 1.0 GW is suggested by a distant line of turbines on the far-right horizon over a faintly visible dark sea; biomass 4.0 GW appears as a modest wood-clad biogas facility with a green-lit dome and small smokestack near the centre-right; hydro 1.1 GW is a small concrete run-of-river weir in the foreground with water gleaming under lamplight. The sky is completely dark, deep navy-black, no twilight glow, scattered brilliant stars visible through a perfectly clear sky with 0% cloud cover. The atmosphere feels heavy and oppressive despite the clear sky, conveying a sense of market tension — a subtle haze or industrial pall clings to the lower atmosphere near the coal plants. Summer vegetation: full leafy deciduous trees, warm-season grasses. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen — rich, deep colour palette of indigo, amber, and steel grey, visible thick brushwork, dramatic chiaroscuro from artificial lighting against the enveloping darkness, atmospheric depth with layered industrial and natural elements receding into the night. Meticulous engineering detail on turbine nacelles, cooling tower parabolic profiles, CCGT exhaust geometry. No text, no labels.