Brown coal 8.2 GW dominates the left quarter as a cluster of massive hyperbolic cooling towers with thick white steam plumes rising into black sky, lit from below by orange sodium lamps; hard coal 3.7 GW sits just right of centre as a blocky power station with conveyor belts and a single large smokestack, glowing dimly; natural gas 3.8 GW appears as a compact CCGT facility with twin exhaust stacks emitting thin heat shimmer, illuminated by facility floodlights; wind onshore 14.4 GW spans the entire right half and background as dozens of three-blade turbines on lattice and tubular towers, their red aviation warning lights blinking in the darkness, rotors turning slowly; wind offshore 2.0 GW is suggested on the far-right horizon as a faint line of blinking red dots above a dark sea; biomass 3.8 GW appears as a mid-sized industrial plant with a wood-chip silo and single stack, warm interior light spilling through windows; hydro 1.1 GW is a small dam structure in the lower-right foreground with water gleaming under moonlight. The sky is completely dark, deep navy-black, perfectly clear with stars visible — no twilight, no sky glow on the horizon. The atmosphere feels heavy and oppressive despite the clear sky, conveying the tension of a high-price hour. Summer vegetation — full leafy trees and tall grass — is barely visible in the darkness, hinted at by silhouettes. All artificial lighting is warm sodium-orange and cool industrial white. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich's sense of sublime darkness meeting Carl Blechen's industrial realism — rich deep colours, visible impasto brushwork, atmospheric depth, meticulous engineering accuracy on every turbine nacelle, cooling tower curvature, and exhaust stack detail. No text, no labels.