Brown coal 8.1 GW dominates the left quarter of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the black sky, lit from below by orange sodium lamps; hard coal 3.7 GW appears just right of centre as a pair of smaller coal-fired stacks with conveyor belts and coal heaps faintly illuminated; natural gas 3.7 GW sits beside them as compact CCGT units with single tall exhaust stacks emitting thin vapour, lit by harsh white industrial floodlights; wind onshore 16.1 GW spans the entire right half and background as dozens of three-blade turbines on lattice and tubular towers stretching to the horizon, their red aviation warning lights blinking in the darkness, rotors turning slowly; wind offshore 1.5 GW is suggested by a distant line of turbines on the far-right horizon above a faintly reflective river or canal; biomass 3.8 GW appears as a mid-sized industrial facility with a cylindrical silo and a single modest smokestack glowing warmly near the centre-left; hydro 1.1 GW is a small weir and powerhouse at the bottom foreground with water rushing through turbines, lit by a single amber lamp. The sky is completely black with a deep navy undertone, no twilight, no moon glow — only scattered stars visible through 26% cloud cover rendered as thin alto-stratus wisps. The atmosphere feels heavy and oppressive, reflecting the high electricity price: a faint industrial haze hangs at mid-height, diffusing the sodium and floodlight glow into amber halos. Summer vegetation — full-leafed deciduous trees and tall grass — is barely discernible in silhouette along the edges. The entire composition is rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape art — rich, dark palette of indigo, umber, and amber, with visible impasto brushwork, atmospheric depth receding into darkness, and meticulous engineering detail on every turbine nacelle, cooling tower ribbing, and exhaust stack. No text, no labels.