Brown coal 7.6 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the darkening sky; biomass 4.1 GW appears center-left as a large wood-chip-fed power station with a tall exhaust stack and warm glowing furnace light visible through openings; natural gas 3.8 GW sits at center as two compact CCGT units with slender exhaust stacks emitting thin heat shimmer; wind onshore 3.8 GW stretches across the right-center as a row of modern three-blade turbines on lattice towers turning slowly in light breeze; hard coal 2.4 GW appears as a smaller coal plant with conveyor belts and a single squat cooling tower behind the gas units; solar 1.1 GW is a modest field of aluminium-framed crystalline silicon panels in the right foreground catching the last residual indirect light; hydro 1.1 GW is a concrete dam and spillway visible at the far right edge beside a river; wind offshore 0.3 GW is suggested by a few tiny turbines on the distant horizon line. Time is 20:00 in August — the sky is deep twilight, navy-blue overhead transitioning to a thin band of fading burnt-orange glow just above the western horizon; stars are beginning to appear; all industrial facilities are lit by warm sodium-yellow floodlights and safety lighting. The atmosphere feels heavy, oppressive, and hazy — reflecting the extreme electricity price — with a thick humid summer warmth at 25°C, lush green vegetation in the foreground, and tall grass slightly swaying. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich and Carl Blechen, with rich impasto brushwork, atmospheric depth, dramatic chiaroscuro between artificial industrial light and the darkening sky, meticulous engineering accuracy on all turbine nacelles, rotor blades, cooling tower geometry, and panel frames. No text, no labels.