Brown coal 7.9 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with billowing white-grey steam plumes rising into the night; onshore wind 8.8 GW fills the right third as dozens of tall three-blade turbines on lattice and tubular towers stretching across rolling dark hills, red aviation warning lights blinking on nacelles; natural gas 3.9 GW appears centre-left as two compact CCGT plants with tall slender exhaust stacks emitting thin heat shimmer; hard coal 2.4 GW sits centre-right as a smaller conventional power station with a single large smokestack and lit conveyor belts; biomass 4.1 GW is rendered as a mid-ground cluster of modest industrial buildings with short chimneys and warm amber-lit loading bays; hydro 1.1 GW appears as a small dam structure in the far background with floodlights reflecting on dark water; offshore wind 0.4 GW is barely visible as faint red lights on the far horizon. The sky is fully dark, deep navy-black, no twilight glow, stars faintly visible through a nearly clear sky with only 6% cloud cover. Warm summer night, temperature 21.7°C, lush dark green deciduous trees barely visible in sodium-orange streetlight spill from a small town in the middle distance. The atmosphere feels heavy and oppressive despite the clear sky, conveying high energy prices — a faint haze clings to the industrial facilities. All rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters: rich dark palette of indigo, amber, ochre, and steel grey, visible confident brushwork, atmospheric depth with chiaroscuro lighting from industrial sources against the black sky. Meticulous engineering detail on every turbine nacelle, cooling tower curvature, and CCGT stack. No text, no labels.