Wind onshore 12.4 GW dominates the right half of the scene as dozens of tall three-blade turbines on lattice towers stretching across rolling green hills, blades turning briskly in moderate wind; brown coal 7.9 GW occupies the left quarter as a massive lignite power station with four hyperbolic cooling towers emitting thick white steam plumes, illuminated from below by orange sodium floodlights; biomass 3.9 GW appears centre-left as a cluster of industrial biomass plants with squat cylindrical silos and modest chimneys glowing warmly; natural gas 3.7 GW sits centre-right as two compact CCGT units with tall single exhaust stacks releasing thin heat shimmer, lit by halogen work lights; hard coal 2.4 GW appears far left as a single coal-fired station with a large rectangular boiler house and conveyor belts, red aviation warning lights on its stack; hydro 1.0 GW is visible in the foreground as a small dam with a concrete spillway and faintly lit turbine hall; wind offshore 0.6 GW is suggested on the distant horizon as a few tiny nacelle lights blinking. Time is midnight: the sky is completely black with scattered bright stars and no moon, zero cloud cover revealing a deep cosmos; all structures are lit solely by artificial light — sodium orange, halogen white, red warning beacons — casting dramatic reflections on the landscape. The summer vegetation is lush but only barely visible in the industrial glow, temperature a warm 20°C suggested by light summer haze. The atmosphere feels heavy and oppressive despite clear skies, reflecting the high electricity price — a faint amber industrial haze clings low to the horizon. Rendered as a highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters such as Caspar David Friedrich, with rich dark tonality, visible impasto brushwork, atmospheric chiaroscuro depth, and meticulous engineering accuracy on every turbine nacelle, cooling tower, and exhaust stack. No text, no labels.