Brown coal 8.5 GW dominates the left third of the scene as a cluster of massive hyperbolic cooling towers with thick white-grey steam plumes rising into the sky; natural gas 5.5 GW fills the centre-left as compact CCGT power blocks with tall single exhaust stacks venting thin heat shimmer; wind onshore 5.5 GW occupies the centre-right as a scattered line of three-blade turbines on lattice towers, their rotors barely turning in nearly still air; hard coal 3.9 GW appears behind the gas plant as a large industrial complex with conveyor belts and a tall chimney stack with faint emissions; biomass 3.8 GW is rendered as a modest wood-chip-fed power station with a rounded silo and squat smokestack to the far right; solar 1.7 GW is shown as a small field of aluminium-framed crystalline silicon panels in the foreground, their surfaces dark and unreflective in the pre-dawn gloom; hydro 1.1 GW appears as a distant concrete dam with a thin waterfall at the far right edge. The sky is deep blue-grey pre-dawn light at 06:00 in August — no direct sunlight yet, only the faintest pale glow along the eastern horizon transitioning from indigo above to a thin band of cold steel-blue near the land. The atmosphere feels heavy and oppressive, reflecting the very high electricity price — a subtle haze hangs over the industrial landscape. The temperature is unusually cool for August at 8.6°C: the vegetation is lush green summer grass and full-leafed deciduous trees, but with a light morning mist clinging to the ground. Zero cloud cover means the emerging dawn sky is perfectly clear above, stars still faintly visible overhead. The wind turbine blades are nearly motionless. Highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich colour palette of deep blues, warm amber industrial glows, cool grey steam, visible confident brushwork, atmospheric depth and chiaroscuro, meticulous engineering accuracy on all infrastructure. No text, no labels.