Solar 21.7 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon photovoltaic panels stretching across rolling green farmland, angled south, glinting sharply under a pristine cloudless morning sun; brown coal 8.6 GW occupies the left quarter as a massive lignite power station with four hyperbolic concrete cooling towers emitting thick white steam plumes rising vertically in the windless air; natural gas 6.9 GW appears centre-left as two compact CCGT plant blocks with tall single exhaust stacks and smaller heat-recovery units with thin vapour trails; hard coal 3.4 GW sits behind the gas plants as a dark industrial block with a single large smokestack and conveyor belt leading to a coal yard; wind onshore 6.5 GW is rendered as a modest line of eight three-blade turbines on a distant ridge, rotors nearly still in the calm air; wind offshore 0.8 GW appears as two tiny turbines barely visible on the far horizon; biomass 4.0 GW is a medium-sized wood-chip facility with a green-roofed warehouse and a modest chimney, placed near the centre; hydro 1.1 GW is a small concrete run-of-river weir with white water visible in the middle distance. The sky is completely clear, deep blue, morning light angling from the east at about 30 degrees, casting long westward shadows; the atmosphere feels heavy and oppressive despite the clarity, with a faint industrial haze near the coal plants suggesting the high electricity price. Vegetation is lush midsummer green, though the 11.8°C temperature gives the light a slightly cool, crisp quality. Style: highly detailed oil painting in the tradition of 19th-century German Romantic landscape painters — Caspar David Friedrich meets industrial realism — rich saturated colour, visible impasto brushwork, atmospheric depth and luminous sky, meticulous engineering detail on every turbine nacelle, panel frame, cooling tower and smokestack. No text, no labels.