Solar 17.5 GW dominates the right half of the scene as vast fields of aluminium-framed crystalline silicon PV panels stretching across sun-scorched farmland, their glass surfaces catching fierce orange-gold light; brown coal 6.4 GW occupies the left foreground as three massive hyperbolic cooling towers with thick white steam plumes rising against the sky; hard coal 3.5 GW appears just behind as a smaller coal plant with a single rectangular boiler house and tall chimney trailing grey smoke; natural gas 4.4 GW sits centre-left as two compact CCGT units with slender exhaust stacks venting clear heat shimmer; wind onshore 4.1 GW is rendered as a scattered line of three-blade turbines on a distant ridge, rotors turning slowly; wind offshore 1.2 GW is suggested by tiny turbines on a hazy horizon line; biomass 3.7 GW appears as a modest wood-chip plant with a small dome and thin white exhaust near the village edge; hydro 1.1 GW is a small run-of-river weir with a low concrete dam visible beside a sluggish, heat-thinned river in the mid-ground. The lighting is late-evening dusk at 18:00 in August: the sun is still above the horizon but low, casting long dramatic shadows and intense amber-orange light across the landscape, with the sky transitioning from warm gold near the horizon to deeper blue overhead — no clouds at all, perfectly clear. The atmosphere feels heavy, oppressive, and shimmering with heat haze at 31 °C, dry golden grass and wilting summer vegetation suggesting prolonged heat. High-voltage transmission pylons march across the background, symbolising the heavy import flows. Painted in the style of a highly detailed 19th-century German Romantic oil painting — rich saturated colour, visible confident brushwork, dramatic chiaroscuro from the low sun, atmospheric depth and haze — yet every piece of engineering rendered with meticulous technical accuracy: turbine nacelles, lattice towers, PV cell grids, cooling tower parabolic curves, CCGT exhaust geometry. No text, no labels.